Tag Archives: Education

The New York Ballet Institute Summer Intensive on Pinterest! Enrolling Now! Scholarships for Male Dancers!



//www.googletagmanager.com/ns.html?id=GTM-5DBTHW
(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({‘gtm.start’:
new Date().getTime(),event:’gtm.js’});var f=d.getElementsByTagName(s)[0],
j=d.createElement(s),dl=l!=’dataLayer’?’&l=’+l:”;j.async=true;j.src=
‘//www.googletagmanager.com/gtm.js?id=’+i+dl;f.parentNode.insertBefore(j,f);
})(window,document,’script’,’dataLayer’,’GTM-5DBTHW’);


Sessions are July 1-31, 2015 and August 1-31, 2015. Check out the Pinterest photos of this fabulous International Vaganova Summer Intensive.

IMG_0100

If you would like to receive an application packet for The New York Ballet Institute Summer Intensive 2015, training information, scholarship assistance or general inquiry, please fill out the form above or contact them at nybisummer@gmail.com

Advertisement

Rawzen – tribute to Maurice Béjart-I Love This!!!


Rawzen – tribute to Maurice Béjart – YouTube.

Former dancer of Bejart comes rapper, but the rap is GOOD! (and so are the dancers and the message). We want more dance but we need more peace-we want more dance but we need Maurice! Keep on Dancing!

Who Says Elephants Can’t Dance?


BeJzg4WIgAA5Nwl_002

We do not see ourselves as others see us, do we? Sometimes we form a somewhat higher opinion of ourselves than is warranted in some areas, and at other times we see ourselves as having all of the possible faults, and none of the attributes-sometimes we are very hard on ourselves, and do not let ourselves shine through. We stifle ourselves, for lack of a better word. We look, but we fail to SEE. Seeing really is an ART. We can emerge, like a butterfly, from a cocoon, or possibly, we feel we could fail to metamorphosis into a butterfly? NO, we all morph into butterflies.

But, at this stage of growing up, it is important to pat ourselves on the back for jobs well done and realize that all of those jobs cannot lie on the same plane, some things have to give, to make room for the important ones. One cannot take every little thing so seriously and sometimes when you realize this and stop beating yourself over the head for it, things fall into place [

Falling in Place

AH, EXCELLENT book]

as they should  and you can just coast along, enjoying the ride for a change. It is about enjoying life, one day at a time.

You know you have to jump off, but you can become (almost) entirely relaxed about the point at which you need to jump. You can pause TIME. Use time more efficiently, when you do not worry-practice deliberately not worrying-and then you can become expert at it, like the dancer who can complete 64 beats of the feet in the air before landing-not recorded since Nijinsky, but absolutely possible to DO! Like taking your hat off when the string breaks and setting it down, with composure, dancing on, as if that were your intention all along. And eventually, it just happens, you realize there are at least two of you in there, one who knows what to do when the other has %^&*(up. You then jump as fast and as hard as you can, while you can, because you can, and you LIKE IT! LOVE IT! Bask in that power.

Appreciate every moment, but then lie down. Look up at the trees with the sun shining through them and watch the wind gently moving their boughs, rustling their leaves, do an encore. Take your bow. You deserve it. And wait for your next chance! But there have to be those moments when you enjoy the fruits of your labor, when you stop worrying about the future so much and enjoy the present. That present is NOW-in case you hadn’t noticed. Don’t apologize for being you. Be you. Make that a you you like to be though. That elephant up there loves himself. You can tell. He just does and I bet he doesn’t even think that he is an elephant!

It is necessary as a young person to pass through this phase, because it allows us to make all of these glorious mistakes, waste all of this (valuable) time feeling all kinds of feelings, sometimes losing the sense of the present, and the joy in it, with our faces pressed to the glass, and we emerge a swan ourselves in spite of all of our efforts to thwart the process! But do not let some adult like me tell you not to have and enjoy all of those feelings, too. They are yours. What would happen if we went along with the process? Did not rebel? Would we achieve more, watch time passing, be more aware of what is happening around us. Doubtful-it wouldn’t be life and adolescence and youth any other way. Is it like a sixth sense? Kind of. Knowing those who have all gone before us as we continue to go.

The process is important in all phases and one should relish those opportunities for change and excitement and new things. For knowledge. New insights will come at every turn, so turns and twists are very important. Without them, no change, no excitement, no epiphanies can occur. Motion makes change and action makes motion. It is the unstable part of youth where we begin to fear the possibility of the future passing us by-don’t let it-not-a-second! Think of all of the other possibilities! For 20 years later, those of us who do not fully live, regret what we did not do, will have unfulfilled expectations. We will remember when we could have amounted to so much, done so much, if only we had given it out all when we had all to give…..and that fear, for it is the only valid one, somehow gives us the momentum, if not the incentive, we need to move ahead, for surely nothing happens if we sit still-time passes us by as we feared.

(It is short and meant to be read out loud, spoken to hear the rhythm)

Rubaiyat of Omar Khayyam



  Edward FitzGerald's Translation (1889).

			1

	Awake! for Morning in the Bowl of Night
	Has flung the Stone that puts the Stars to Flight:
	And Lo! the Hunter of the East has caught
	The Sultan's Turret in a Noose of Light.

			2

	Dreaming when Dawn's Left Hand was in the Sky
	I heard a Voice within the Tavern cry,
	"Awake, my Little ones, and fill the Cup
	"Before Life's Liquor in its Cup be dry."

			3

	And, as the Cock crew, those who stood before
	The Tavern shouted--"Open then the Door!
	"You know how little while we have to stay,
	"And, once departed, may return no more."

			4

	Now the New Year reviving old Desires,
	The thoughtful Soul to Solitude retires,
	Where the WHITE HAND OF MOSES on the Bough
	Puts out, and Jesus from the Ground suspires.

			*****

			5

	Iram indeed is gone with all its Rose,
	And Jamshyd's Sev'n-ring'd Cup where no one knows;
	But still the Vine her ancient Ruby yields,
	And still a Garden by the Water blows.

			6

	And David's Lips are lock't; but in divine
	High piping Pehlevi, with "Wine! Wine! Wine!
	"Red Wine!"---the Nightingale cries to the Rose
	That yellow Cheek of hers to incarnadine.

			7

	Come, fill the Cup, and in the Fire of Spring
	The Winter Garment of Repentance fling:
	The Bird of Time has but a little way
	To fly---and Lo! the Bird is on the Wing.

			8

	And look---a thousand Blossoms with the Day
	Woke---and a thousand scatter'd into Clay:
	And this first Summer Month that brings the Rose
	Shall take Jamshyd and Kaikobad away.

			*****

			9

	But come with old Khayyam, and leave the Lot
	Of Kaikobad and Kaikhosru forgot!
	Let Rustum lay about him as he will,
	Or Hatim Tai cry Supper---heed them not.

			10

	With me along some Strip of Herbage strown
	That just divides the desert from the sown,
	Where name of Slave and Sultan scarce is known,
	And pity Sultan Mahmud on his Throne.
			11

	Here with a Loaf of Bread beneath the Bough,
	A Flask of Wine, a Book of Verse---and Thou
	Beside me singing in the Wilderness---
	And Wilderness is Paradise enow.

			12

	"How sweet is mortal Sovranty!"---think some:
	Others---"How blest the Paradise to come!"
	Ah, take the Cash in hand and waive the Rest;
	Oh, the brave Music of a distant Drum!

			*****

			13

	Look to the Rose that blows about us---"Lo,
	"Laughing," she says, "into the World I blow:
	"At once the silken Tassel of my Purse
	"Tear, and its Treasure on the Garden throw."

			14

	The Worldly Hope men set their Hearts upon
	Turns Ashes---or it prospers; and anon,
	Like Snow upon the Desert's dusty Face
	Lighting a little Hour or two---is gone.

			15

	And those who husbanded the Golden Grain,
	And those who flung it to the Winds like Rain,
	Alike to no such aureate Earth are turn'd
	As, buried once, Men want dug up again.

			16

	Think, in this batter'd Caravanserai
	Whose Doorways are alternate Night and Day,
	How Sultan after Sultan with his Pomp
	Abode his Hour or two, and went his way.

			*****

			17

	They say the Lion and the Lizard keep
	The Courts where Jamshyd gloried and drank deep;
	And Bahram, that great Hunter---the Wild Ass
	Stamps o'er his Head, and he lies fast asleep.

			18

	I sometimes think that never so red
	The Rose as where some buried Caesar bled;
	That every Hyacinth the Garden wears
	Dropt in its Lap from some once lovely Head.

			19

	And this delightful Herb whose tender Green
	Fledges the River's Lip on which we lean---
	Ah, lean upon it lightly! for who knows
	From what once lovely Lip it springs unseen!

			20

	Ah, my Beloved, fill the Cup that clears
	TO-DAY of past Regrets and future Fears---
	To-morrow?---Why, To-morrow I may be
	Myself with Yesterday's Sev'n Thousand Years.

			*****

			21

	Lo! some we loved, the loveliest and best
	That Time and Fate of all their Vintage prest,
	Have drunk their Cup a Round or two before,
	And one by one crept silently to Rest.

			22

	And we, that now make merry in the Room
	They left, and Summer dresses in new Bloom,
	Ourselves must we beneath the Couch of Earth
	Descend, ourselves to make a Couch---for whom?

			23

	Ah, make the most of what we yet may spend,
	Before we too into the Dust descend;
	Dust into Dust, and under Dust, to lie,
	Sans Wine, sans Song, sans Singer, and---sans End!
			24

	Alike for those who for TO-DAY prepare,
	And those that after a TO-MORROW stare,
	A Muezzin from the Tower of Darkness cries
	"Fools! your Reward is neither Here nor There!"

			*****

			25

	Why, all the Saints and Sages who discuss'd
	Of the Two Worlds so learnedly, are thrust
	Like foolish Prophets forth; their Words to Scorn
	Are scatter'd, and their Mouths are stopt with Dust.

			26

	Oh, come with old Khayyam, and leave the Wise
	To talk; one thing is certain, that Life flies;
	One thing is certain, and the Rest is Lies;
	The Flower that once has blown for ever dies.

			27

	Myself when young did eagerly frequent
	Doctor and Saint, and heard great Argument
	About it and about: but evermore
	Came out by the same Door as in I went.
			28

	With them the Seed of Wisdom did I sow,
	And with my own hand labour'd it to grow:
	And this was all the Harvest that I reap'd---
	"I came like Water, and like Wind I go."

			*****

			29

	Into this Universe, and why not knowing,
	Nor whence, like Water willy-nilly flowing:
	And out of it, as Wind along the Waste,
	I know not whither, willy-nilly blowing.

			30

	What, without asking, hither hurried whence?
	And, without asking, whither hurried hence!
	Another and another Cup to drown
	The Memory of this Impertinence!

			31

	Up from Earth's Centre through the Seventh Gate
	I rose, and on the Throne of Saturn sate,
	And many Knots unravel'd by the Road;
	But not the Knot of Human Death and Fate.

			32

	There was a Door to which I found no Key:
	There was a Veil past which I could not see:
	Some little Talk awhile of ME and THEE
	There seemed---and then no more of THEE and ME.

			*****

			33

	Then to the rolling Heav'n itself I cried,
	Asking, "What Lamp had Destiny to guide
	"Her little Children stumbling in the Dark?"
	And---"A blind Understanding!" Heav'n replied.

			34

	Then to this earthen Bowl did I adjourn
	My Lip the secret Well of Life to learn:
	And Lip to Lip it murmur'd---"While you live
	"Drink!---for once dead you never shall return."

			35

	I think the Vessel, that with fugitive
	Articulation answer'd, once did live,
	And merry-make; and the cold Lip I kiss'd
	How many Kisses might it take---and give!

			36

	For in the Market-place, one Dusk of Day,
	I watch'd the Potter thumping his wet Clay:
	And with its all obliterated Tongue
	It murmur'd---"Gently, Brother, gently, pray!"

			*****

			37

	Ah, fill the Cup:---what boots it to repeat
	How Time is slipping underneath our Feet:
	Unborn TO-MORROW, and dead YESTERDAY,
	Why fret about them if TO-DAY be sweet!

			38

	One Moment in Annihilation's Waste,
	One Moment, of the Well of Life to taste---
	The Stars are setting and the Caravan
	Starts for the Dawn of Nothing---Oh, make haste!

			39

	How long, how long, in infinite Pursuit
	Of This and That endeavour and dispute?
	Better be merry with the fruitful Grape
	Than sadden after none, or bitter, Fruit.

			40

	You know, my Friends, how long since in my House
	For a new Marriage I did make Carouse:
	Divorced old barren Reason from my Bed,
	And took the Daughter of the Vine to Spouse.

			*****

			41

	For "IS" and "IS-NOT" though with Rule and Line,
	And "UP-AND-DOWN" without, I could define,
	I yet in all I only cared to know,
	Was never deep in anything but---Wine.

			42

	And lately, by the Tavern Door agape,
	Came stealing through the Dusk an Angel Shape
	Bearing a Vessel on his Shoulder; and
	He bid me taste of it; and 'twas---the Grape!

			43

	The Grape that can with Logic absolute
	The Two-and-Seventy jarring Sects confute:
	The subtle Alchemist that in a Trice
	Life's leaden Metal into Gold transmute.

			44

	The mighty Mahmud, the victorious Lord,
	That all the misbelieving and black Horde
	Of Fears and Sorrows that infest the Soul
	Scatters and slays with his enchanted Sword.

			*****

			45

	But leave the Wise to wrangle, and with me
	The Quarrel of the Universe let be:
	And, in some corner of the Hubbub coucht,
	Make Game of that which makes as much of Thee.

			46

	For in and out, above, about, below,
	'Tis nothing but a Magic Shadow-show,
	Play'd in a Box whose Candle is the Sun,
	Round which we Phantom Figures come and go.

			47

	And if the Wine you drink, the Lip you press,
	End in the Nothing all Things end in ---Yes---
	Then fancy while Thou art, Thou art but what
	Thou shalt be---Nothing---Thou shalt not be less.

			48

	While the Rose blows along the River Brink,
	With old Khayyam the Ruby Vintage drink:
	And when the Angel with his darker Draught
	Draws up to Thee---take that, and do not shrink.

			*****

			49

	'Tis all a Chequer-board of Nights and Days
	Where Destiny with Men for Pieces plays:
	Hither and thither moves, and mates, and slays,
	And one by one back in the Closet lays.

			50

	The Ball no Question makes of Ayes and Noes,
	But Right or Left, as strikes the Player goes;
	And He that toss'd Thee down into the Field,
	*He* knows about it all---He knows---HE knows!

			51

	The Moving Finger writes; and, having writ,
	Moves on: nor all thy Piety nor Wit
	Shall lure it back to cancel half a Line,
	Nor all thy Tears wash out a Word of it.

			52

	And that inverted Bowl we call The Sky,
	Whereunder crawling coop't we live and die,
	Lift not thy hands to *It* for help---for It
	Rolls impotently on as Thou or I.

			*****

			53

	With Earth's first Clay They did the Last Man's knead,
	And then of the Last Harvest sow'd the Seed:
	Yea, the first Morning of Creation wrote
	What the Last Dawn of Reckoning shall read.

			54

	I tell Thee this---When, starting from the Goal,
	Over the shoulders of the flaming Foal
	Of Heav'n Parvin and Mushtara they flung,
	In my predestin'd Plot of Dust and Soul

			55

	The Vine had struck a Fibre; which about
	If clings my Being---let the Sufi flout;
	Of my Base Metal may be filed a Key,
	That shall unlock the Door he howls without

			56

	And this I know: whether the one True Light,
	Kindle to Love, or Wrathconsume me quite,
	One Glimpse of It within the Tavern caught
	Better than in the Temple lost outright.

			*****

			57

	Oh, Thou, who didst with Pitfall and with Gin
	Beset the Road I was to wander in,
	Thou wilt not with Predestination round
	Enmesh me, and impute my Fall to Sin?

			58

	Oh, Thou, who Man of baser Earth didst make,
	And who with Eden didst devise the Snake;
	For all the Sin wherewith the Face of Man
	Is blacken'd, Man's Forgiveness give---and take!

		KUZA-NAMA ("Book of Pots.")

			59

	Listen again. One Evening at the Close
	Of Ramazan, ere the better Moon arose,
	In that old Potter's Shop I stood alone
	With the clay Population round in Rows.

			60

	And, strange to tell, among that Earthen Lot
	Some could articulate, while others not:
	And suddenly one more impatient cried---
	"Who *is* the Potter, pray, and who the Pot?"

			*****

			61

	Then said another---"Surely not in vain
	"My Substance from the common Earth was ta'en,
	"That He who subtly wrought me into Shape
	"Should stamp me back to common Earth again."

			62

	Another said---"Why, ne'er a peevish Boy,
	"Would break the Bowl from which he drank in Joy;
	"Shall He that *made* the Vessel in pure Love
	"And Fancy, in an after Rage destroy!"

			63

	None answer'd this; but after Silence spake
	A Vessel of a more ungainly Make:
	"They sneer at me for learning all awry;
	"What! did the Hand then of the Potter shake?"

			64

	Said one---"Folk of a surly Tapster tell
	"And daub his Visage with the Smoke of Hell;
	"They talk of some strict Testing of us---Pish!
	"He's a Good Fellow, and 't will all be well."

			*****

			65

	Then said another with a long-drawn Sigh,
	"My Clay with long oblivion is gone dry:
	"But, fill me with the old familiar Juice,
	"Methinks I might recover by-and-bye!"

			66

	So while the Vessels one by one were speaking,
	One spied the little Crescent all were seeking:
	And then they jogg'd each other, "Brother! Brother!
	"Hark to the Porter's Shoulder-knot a-creaking!"

			67

	Ah, with the Grape my fading Life provide,
	And wash my Body whence the Life has died,
	And in the Windingsheet of Vine-leaf wrapt,
	So bury me by some sweet Garden-side.

			68

	That ev'n my buried Ashes such a Snare
	Of Perfume shall fling up into the Air,
	As not a True Believer passing by
	But shall be overtaken unaware.

			*****

			69

	Indeed the Idols I have loved so long
	Have done my Credit in Men's Eye much wrong:
	Have drown'd my Honour in a shallow Cup,
	And sold my Reputation for a Song.

			70

	Indeed, indeed, Repentance oft before
	I swore---but was I sober when I swore?
	And then and then came Spring, and Rose-in-hand
	My thread-bare Penitence apieces tore.

			71

	And much as Wine has play'd the Infidel
	And robb'd me of my Robe of Honour---well,
	I often wonder what the Vintners buy
	One half so precious as the Goods they sell.

			72

	Alas, that Spring should vanish with the Rose!
	That Youth's sweet-scented Manuscript should close!
	The Nightingale that in the Branches sang,
	Ah, whence, and whither flown again, who knows!

			*****

			73

	Ah Love! could thou and I with Fate conspire
	To grasp this sorry Scheme of Things entire,
	Would not we shatter it to bits---and then
	Re-mould it nearer to the Heart's Desire!

			74

	Ah, Moon of my Delight who Know'st no wane
	The Moon of Heav'n is rising once again:
	How oft hereafter rising shall she look
	Through this same Garden after me---in vain!

			75

	And when Thyself with shining Foot shall pass
	Among the Guests Star-scatter'd on the Grass,
	And in thy joyous Errand reach the Spot
	Where I made one---turn down an empty Glass!

		TAMAM SHUD (It is completed.)

			*****


Self loathing passes, too, many of the doubts, and all the uncomfortableness of the onset of maturity, with the acceptance of ourselves, but not complacency (!). We need to kick if only to make sure we still can. This process takes time and energy itself, and if we can just keep busy, active, focus our energies into the positive, second by second, minute by minute, day by day, we pass through it, and it cannot depress/suppress us so much if we use some of the indomitable will we possess innately, to repress IT, to conquer IT, and our own self-doubts. It is important however, now, to keep moving, to keep busy, and to keep dancing, pressing on, because we must go through the whole inevitable period of self-examination, self-prejudice and fault-finding in order to come through it a learned person, knowing the most about ourselves (whom we should know), a stronger person and one more grounded in who we really are and what we can really accomplish if we put our mind to it, and to finally realize that after our heartbreaks and changes, we are complex and fascinating and beautiful people, and not a shell, like the ones held up in photographs and poses, not fake and pasty pearls,, made shiny for the instant, but sea-hewn and rock hard, with mirrored finish and indomitable strength-the challenge is to be a better, stronger person and to emerge loving our faults, embracing them, and liking ourselves better for them, for they are actually our strengths-sometimes it is slow going, just a little of ourselves better each day, like washing an arm or the neck, with love, a little bit better every time, and a little more, if not love, then respect and awe, because we alone did it-made it through. It is us.

Our perseverance teaches us that we were better than we thought we were, and that there IS improvement in the way we see ourselves. Self-loving, self respecting and generous in our accomplishments to ourselves. Thankful. It requires bigger thinking. Huge thinking. And yet simple logic-a stronger brain. Some can articulate and some do not.

More importantly, we will emerge from this journey to find that we are still in the running-the race is not run, there is still time and even more importantly, more and better races, to be proud of not only how much we have accomplished, but realize we do possess that extra bit of mettle necessary to make it through the fire and survive and go again. All of this is coming, the hard part is looking it in the eye and moving forward with the courage and conviction necessary to achieve even half of what we set out to do, first we leave the gate, and then finishing up the rest of it like dessert because we finally realize we do have room and the ability! Then we look back and go, “Wow. What if I had stopped? It is about hanging on, baby. It is about the survival of the fittest, not just being super flexible and posing. It is about dancing and spirit and tenacity. A dancer is not born, a dancer is made. It is about hard work, now more than ever! It is about love, too.

I guess I was told in my twenties by my then husband, that my body changed (all the time). I couldn’t see it. I was a little vexed with him. But he was honest, though I did not (want) to realize it at the time. Sometimes I dieted, but usually I didn’t have to=the less I got on the scale or thought about it, the less I ate. Before I knew it, I was slim again. Svelte. Once told no one rocked the little black dress better! I didn’t think that day would come, but it was true. I just had not seen it all along. What a waste! Worrying about anything, never made it happen, or unhappen, but it took experience even to know that. Discipline is a part of it, but like other areas of life, you have to find solutions that work for you, aren’t really sacrifices, and it takes a while to prefer the taste of some foods over seemingly better-tasting ones. You can choose healthy and still taste good! If weird things aren’t your bag, by all means don’t eat things you don’t like. People were eating healthily before Whole Foods! Diets also aren’t meant to be permanent=that’s why you start eating better and you just learn to eat better forever. But in our teens, some people develop weird eating disorders and issues because of fad diets, body image issues, peer pressure, media, and the rest-sometimes their parents foist those problems upon them, because they want to create phobias like “your teeth will fall out!”, “you will put your eye out with that!”, “you do not want to be FAT!”. But there is fact and fiction. Nature guides us, too. That is why it is important to eat what you like, and use moderation in all things.

Teenagers do not see the rest of their lives, they only see the right now this minute and it is because of this that they are vulnerable to all sorts of things. When we realize there is a tomorrow and another slice of pizza or a bagel in the FUTURE, we do not look at the one today as if it is going to be the last one EVER! Trust me, at forty I was sick of Chicken, Beef, and Pork so Fish became much more appealing, and other options sprung up! Vegetables and other foods became interesting and playful until I was not eating very much neat all of a sudden, only sporadically. Nature must have intended it that way. Having worked in a bakery, I can say honestly that I hate baked goods! I had my fill of Napoleans, Cannoli, cakes and pies-For the most part food is ever plentiful and ever available. A cornucopia awaits, never empty! I completely gave up fad diets when I realized that I could honestly eat a favorite food once a day for the rest of my life and it would always be different, never ending, and the thought kind of bored me, like ohhh….kind of like the number of restaurants in New York-you can go to a different one three times per day, and STILL never try all of them in your whole life.

The key is to see if we want it as badly in 5 minutes or this evening, tomorrow, or on Saturdays or Sundays, teaching restraint and perspective. Mostly perspective. That way, by 6pm, tomorrow or Sunday, something nearly always looks better, and we begin to see how whimsical our choices are on the spur of the moment. When we are craving something, and fail to see how recent exercise or physical need might be the culprit-that our bodies crave certain foods, at certain times, and why. Unfortunately, I do not know a good book on this subject, but I do know of a writer who deals with it in dancers specifically. I have posted several articles by her from her blog. She is full of good advice and offers recipes and facts on food. But the information is everywhere and in our brains there is common sense. You have to eat right. Live right. Eat a wide variety-variety is the spice of life! Take care in preparing your food, eating your food and enjoying your food. Sit and eat. Don’t run and eat for then you just feel hungry and as though you haven’t eaten at all. Mealtime should be a ritual. A time to sit and relax, and eat enough. Don’t overeat. Don’t try not to eat, rather eat something good and juicy, healthy, enriching, flavorful, whatever. Eat less, but eat more! Enjoy food. It nourishes you!

We all prefer to see ourselves as we once were, whether that was a nubile young thing, a mature teenager, “in my twenties”, “before I was married,” and it goes on, so that by the time we are 51 or 94 we are able to (at least) pick and choose which body we want to be, which period we most liked and ALL of them have reasons to be liked, eventually. But we are much more than a body. I would much rather be someone, if I could, and not just her body! We just have to be mature enough it seems to finally LIKE all of them that we are, that we have been. And you will. In time. For me, it did happen young, it has happened, and now I am perhaps too comfortable with myself….Sometimes I wish I could just pick any one of those former selves and be that for a night out, a day in class, at the beach, in my paddling pool, again. But I realize I am all of those, too, and much more. I am a complete package and to extract one of those different bodies is impossible, because a human is an organism and changing all the time. Those images are literally in our mind like a snapshot in time. Our image of ourselves might be static, but we are never just as we remembered anyway. We are live actions figures and not dolls!

We really were different and changing all the time, like the sea. As women, we change daily, weekly, monthly, yearly, and as different systems in our bodies take over, work on their own for different reasons, from birth through life, such as when we bring a life into the world, and as we get older, we change sometimes drastically. Would we deny our baby’s good health by fretting too much over our own self-image during gestation? Cheat the wisdom of old age? No, it would spoil the emotional moment of our lives, and risk our baby’s health. Why would we treat ourselves differently? Risk our own health? Worse?

We don’t want to interfere or to control that body too much until we are perfectly comfortable with its ebbs and flows. It can take care of itself. We just have to learn what those are. They have a rhythm too. We just have to love it and deal with it. Some cultures celebrate all those changes! Some people never learn acceptance of themselves. They do not realize these things. They do not love themselves-it isn’t the food. Their behavior is boring and repetitive and predictable. I cannot imagine thinking about it all of the time, worrying about it all of the time, wasting time feeling bad with what-ifs and denying myself things I like-in moderation.

Sometimes it takes less time to control radical changes, other times , sometimes more, but I wish I had known then what I know now-that at least is unanimous among people. In the case of adolescence, people make it through. I remember looking in the mirror in a store changing room after my first child and going, “What the???” Even that changed and healed. Passed. A few years later, back into my stride, someone commented about how (based upon my appearance) it really was true that dancer’s bodies just sprang back, at how amazing my physique was, but I saw all my faults-or were they? It was at that point that I began to think differently, realizing I was good. Okay. Better even. Like scars, maybe our faults or perceived flaws, give us a kind of character, a chance to build on them, to strengthen, to love, they are a marker of where we have been even, cliche, but true. Unavoidable and part of life, so why fret life? But, so do all of those mental phases  and other memories, which become associated with times of our lives and are woven into the fabric of US, who we become, and cannot be separated. Don’t get lint in your warp! So make the most of them, enjoy what you can, and take time to smell the flowers. Make good memories, too. Eat what you want. My mother was good at telling me not to worry. She said I did not have to worry about getting fat. She was right. At my age it is when I look into the mirror to make a physical assessment, it is not like it used to be and yet, I am surprised that I do not look as bad as I feel. Sometimes I check and make myself laugh-I am still there, I am still me. Thank GOD. There was a time when I would not always like what I saw, I was too critical. I just didn’t see me! Now I do, and I am happy to greet ME!

I see the chubby girls with glowing skin, beautiful eyes, buxom beauties, so to speak, I see the slender girls with knowledge that they meet a certain body type, and I see natural beauty in all sorts of people, and less beauty in that which is continually thrust before me in media etc. I remember once closeted in an elevator in college with a bohemian film type and he prefessed his deep regard fo me and my Rubenesque (Rubens was a painter of scantily-clad and fleshy nymphs) figure. I was not Rubenesque, but even if I was to him, I was loved! I was appalled and fairly ran from the elevator. I see the marketing industry changing and attempting to glamorize fat, and obesity in order to market fashion for it. So the focus on weight has shifted from one end of the spectrum, to try to capitalize on people being fat, in other ways, and I do not mean weight loss centers-I mean fashion and money. Keeping them fat is big business nowadays. They even try to market fat food to fat people!

I do think people need to be disciplined and eat what they need and not waste the food on the planet. I think fat is fat, and if you love a person you want them to be healthy, not fat. If someone you love gets fat, would you leave them? But that goes to values and people. We should love people not ideals. But when someone is perfectly healthy and not fat, and is just seeing fat which is not there, which is their beautiful body and that person is not fat, I am concerned with what that person is worrying about and why they think they are fat. Obesity is a health issue. Dancers are healthy….

I would tell someone they do not look fat, I would not judge, I would say, “you look fine.” I tell anyone the truth who asks. Eat right. You are healthy. You’re you. What are you worried about. You are perfectly normal. And I do not like ballet companies who only hire dancers that are of one body type because usually they are not all good dancers. Boring. If I wanted to see a lot of strings on the stage I would cover it with silly string (and save alot of money-and make a statement). Lines are not about weight, and dancing is not about weight (partnering IS), but here I might insert good partner and bad partner-people who do not want to lift their own weight, let alone other dancers. Tall girls weigh more than small girls-they just do. There is someone for everyone. Ballet is about ART and art is not about modelling or fashion-art is not pop. Art is about truth and beauty and other things. It is about strength and agility, stamina and interpretation. It is about entertainment, and not only one person’s who is creating the piece. It is for the world and the whole world is not going to judge by image. They judge by talent, ability and beauty and many other things. It is not all orgiastic claptrap and perfect bodies. That is pretentious and real art, passionate art is anything BUT pretentious! They do not want to admit it, and say, “so and so is just g-o-r-g-e-o-u-s!”, and what they mean is “I am saying the right thing.” But they speak false. If truth is beauty, and beauty is truth, how can truth be false or false be beautiful…..? That is as much posing as anything and that is not art. No matter how deep they try to make it appear to be, some of it is just like a 45 minute fashion show and I do not find that moving, or relevant-except in context possibly, or meaningful. It is certainly not a forever theme. It is not real. It is not engaging. It is not interesting. It’s not even history. It is more a political statement than anything and art is not, or should not be, politics. It is boring! Perfect bodies have not necessarily been perfect artists-they have been perfect bodies. That is all. Not always perfect dancers. Some just can barely dance! Dancers have muscles and strength. They have to. Rarely do the two combine…..I love imperfections. They are unique! If you look hard enough, everyone has them. But don’t dwell on them-look at the dancing! And keep on dancing!

Several Strings on My Fingers and The Old Year in Review


Happy Holidays!
Happy Holidays!

Merry Christmas and Happy New Year! Perfect little cherub mine! What was important about this year? Ooh, too much to really go into detail about completely. A thinking year, rather than a writing one. What am I thankful for? Me. I am thankful for me. I am sitting at my desk, really a makeshift bingo table, surrounded by a mound of paperwork and receipts that I have to pile through, and too soon the holiday will be over and I will have to get down to business. But right this minute as I look at the reflection of the Christmas-treeless house in my toaster (which is on my desk), I am thankful for the people in my life. I am thankful to be able to accept celebrating Christmas without the fru-fru which is associated with it, and instead of looking at the meaning, finding the meaning. I have three pine cones and just two of them are on the tree currently, but the other has not fallen far away from it as it turns out. Pine cones are usually near the pine tree, but sometimes I have found one well away from any pine tree, but I always notice a pine cone-I know what it is. It stands out. I never really understood what other parents went through when a child left home, even to go to a boarding school-same thing really. In fact I have never approved of boarding schools. Once they are gone, there is always another program, another school, another reason, until they are truly gone. Don’t want to think about that! My daughter is finally home on her winter break.

I am trying to get as much out of her as I can and it is not enough information, not enough cuddling, not enough of all that is her-like a lemon that you just cannot keep squeezing because it only has so much juice. I am waited to see if she had it in her to go back, on her own. What she would do. So many questions-NO answers, only action to keep on track, keep moving forward. Sometimes sadly, one can never go back. Only in our minds. That process of looking back is a dangerous one in a way, signalling no new action ahead.

Sometimes it would be hard for a teenager to ever think that one day, they might want to go back to those days when they were with their siblings, their parents, grandparents, pets, their friends, their first loves, their naivete and innocence, but I see it very clearly (almost) now, and rushing over the rocks and coals at 15 becomes sitting on them and looking around at 100. You want to hold everyone, every moment, every nuance, look around, enjoy the tapestry that has been your real-life, cherish those memories. Right now you are busy making those memories. Maybe it is not too wise to look back too soon, for we might get into the habit of it, slowing down, thinking before we act. BAH!!!

She came home for only about 10 days and was fully encased in a stage of adolescence which I remember well-the one where you think the worst of yourself, the best of yourself, you complain, you cheer, you whine, you laugh, you are sick with a cold and things could not seem to be good at all, now or ever, and the next minute is the best time of your life-and she left not even four months ago as my baby girl. She still is though and she wants to say so, she instead says, “Mom, stop babying me.” I do not know what to say to her. I have changed, too. Sort of. But in this particular stage of adolescence you might feel miserable and you feel as if everyone sees the changes too, but they don’t. Your body is changing, you have matured suddenly, as if you just came out of a cocoon, and you are not sure the world is trustworthy or going to let you be what you want to be more than anything no matter how hard you try. Some of the things you have banked on carrying you through, fail the test of time, and you realize you are judged on more grown-up, serious merits, like whether you can deliver, and then, later, with aplomb. Other facets of yourself you have not even discovered yet, let alone polished, and it is often difficult to see those even as they appear day by day. Sometimes you feel you have wings to fly, other days you a a grounded bird.

I remember her speech when she was little, and Barney, the cat, little tiny toys and dolls, the dress-up and dancing-there was a song she sang all the time with a little lisp-“butterfee, butterfee, fee fee aweeee!!!!” and it literally brings tears to my eyes. I am a softy and ridiculous! And now right before my very eyes, as it probably should be, she has to become a young woman-there, while I am here. I do not want to miss any of it, for my own reasons. Entitlement-need I say more? While she has been gone I have let myself go-hair tousled and put hurriedly into a clip, the same shirt for sometimes two days before I notice anything, the same old clothes, food, dinners, shoes, and sights and sounds. Sometimes I do not even look at my nails. Depression, but I have been here before, and occasionally when I do think about it, I am surprised at myself, it not being worse than it is (pat pat pat), and just feeling sorry for myself and enjoying it-and that is okay-to a point. But my job isn’t really done yet, is it? I did say I was an artist, and crazy, for lack of funds does not make me an “eccentric.” It is though I am in mourning or just want to be-now if I could put that to good use. I want to be happy for her, want to encourage her, but a selfish little part of me just stands there stubbornly wanting her to melt down, admit she was wrong and needs me by her side. Quit. I am kidding myself. I find I don’t really want her to do that after all, so it becomes selfish again, and I realize that to be there for her, I have to be there for myself. Like myself, if I truly want her to succeed. The truth is she didn’t even notice. Maybe I was too officious, too smothering, too coddling, too close. Maybe she just knows I love her and feels basically secure !!!! I am sure that is it actually.

I think her mind was on more practical matters. She didn’t even admit to herself she missed us until well into the Fall semester, and then, she said, one day she just realized that she did. She missed her teachers, and me and her brothers, and her father and her cat. Even great-grandma, but she is stable and confident. So we all just miss her, really. She has moved on a little bit. But we are all part of her fabric, intrinsically. But right now, and that is the important point, is that moments should be treasured. All of them, good and bad. They all count for something later and they are all important, I think. Don’t be a would of/could of person. Do it all, if at all possible. Do everything you want to, can dream of. Don’t be shy. Open the door of opportunity.

She wanted to be here,  but she didn’t want lectured or prodded or poked and she didn’t want to take ballet class! Her foot was swollen, hurt, she had calluses on the bottom of her feet which she would not let me treat, so I had to sneak lotion on them in the middle of the night (which worked wonders). Every muscle of her body hurt and she was waiting for her achilles and her knee to stop hurting (they did). Sometimes you HAVE to show them that the medicine WORKS. Proof, or they just will not cooperate….She did not last a cup of coffee in the mornings with me, to pump her for information=would not be pumped, and refused to chit-chat about what I wanted to. She was seemingly up before the crack of dawn and busy well into her day by the time the rest of us awoke. She wrote, she watched tv, she cuddled. She needed to do a million of things-nothing at all to my eyes, but little rituals to ground her, so she knew where she stood. She took what she needed from us. She brought up subjects to talk about on her own and finally I got the rhythm and the drift of her a little better. She is light years ahead of me as usual, planning, thinking, doing, busy all the time, growing. I took her to see a few friends and she was different, more mature, more confident-still sweet and nice as usual, but more ladylike. She had a far off look in her eyes sometimes. What was that???

Nothing I said to her was correct once we got past the niceties of missing one another and not having a chance to see each other for almost four months. I could say nothing right. She waved her arms and flew back onto her perch if I mentioned the wrong thing, led the conversation away from where she was willing to go, and cut me off if I persisted by flying off thusly to her sanctuary. So, I was forced to entice the little birdie with something to make her stay, keep her close as possible, and I simply gave in-my life to hers, as always, life is too short to argue. It does not have to always be my way, my answers, my questions. I just handed her the lead and said, “ok, you drive.” She is ready. At fifteen. Now I can just watch and put in a word here and there, but I do have to try to be careful what I say. It went much better after that.It was just a matter of who was to be boss, that’s all. I was content to be the neck that turns the head. But, she does have the lead and she knows it.

I told her it was all a phase, which it is, and I somehow think she already knew, but this is for her to know I knew she knew and what little advice I can give on certain subjects-to mothers/fathers or daughters.

She has decided on things, like her height is only going to be 5′ 4″, whether it gets to be taller or not, and her weight is going to be less than 115 pounds. She did really want two leotards and I got them for her. Very pretty ones on her. She bought two pairs of point shoes (not Repettoes!), and she refused everything else-choosing dental floss over the Bun Heads stock sewing kit, which she pronounced a “waste of money.” She said she didn’t think she would do the Winter Workshop at her school because she got back late, wouldn’t be cast in any good roles with those teachers, and because she needed time to work on her schoolwork, money, and she wanted to do auditions for Summer programs. Sometimes she just likes to be accepted, she doesn’t really want to go. She likes the experience, too. She prefers a one-on-one relationship with a good teacher over the  three weeks of variety-it’s like a tease sometimes she thinks. Variety. She has certainly had that this year! Oh, and she was very sick when she came home. Flu, fever, tired and stayed in bed (mostly) the first few days.

Christmas Day she got a text from her aunt, whom she has been staying with. It said,”Please call your cousin today and wish her Merry Christmas or something. She is expecting you to.” She slept. Then, about 5pm another text read,” Don’t bother now, she is in bed. I am extremely disappointed in you.” This missive put her into a nearly hysterical spin, and tears, and she said she thought it was entirely thoughtless, cruel even and typically inconsiderate of the fact that she was sick, at home with her family, and apparently she felt safe in her cubbyhole, resenting the interference, the fact that even here, they could get to her. Even now. It almost resulted in her not being asked back and all that implies, but she took control of the situation after vetting and it worked out quite well, thankfully. I think she even missed them a little bit and they her. But she needed a place to go, to be alone, be with those who she felt really loved her and just be alone. Of course she wants us all there. She wanted someone entirely on her side. Me. She said so. What choice did I have????That she wasn’t a full-time politician? Just to be left alone-pretend they didn’t exist for TEN DAYS!!!!. Well…. yes, and no, I thought. It would only take her 10 minutes to make her “political” phone calls and be done with it. But that wasn’t the point, was it? By watching I was learning. No where to go and be alone. Important. But they in turn, are doing her a HUGE favor, taking responsibility for her, and I am grateful, even if she is not (thoughtfully) so.

She is no saint, but she is my baby. She did not have time to win them over, make them a priority and she was realizing that she could not make everything okay, make everyone like her the way she wanted to be liked-she didn’t have time, and even if she did, there were probably one hundred things she would do first, and she doesn’t care if everyone likes her.

I realize they will all take those values with them everywhere they go, that I must have done something right because they really are all terrific people, not just kids anymore. They are not dullards. Some adults or will be soon, and I have to shift gears. But I am not a sports car and I do not hit 60 in under 3 seconds anymore-or maybe I can. Maybe I can hit 60 if I give myself a chance. Maybe I just thought I was a sports car all along-it’s all perspective. Maybe this is the time for me to think of me and I am getting a window of opportunity of my own.

My daughter was having these little fits all over the place and when I told her that she could just be herself, a brat, and do all the things she could not do at her aunt and uncle’s, she just seemed to relax. She didn’t want to talk about ballet, school, nothing that I wanted to hear about-she said she had told me already. She really had, I just wanted to hear it all again. She is 15. 15, and needed to come home and let down for a little bit. Now my mother would have known that-gotten that, much more quickly than I did, or maybe not. Maybe I just don’t think I am a sports car. I might even be more like a toyota-low maintenance, but just goes, even without the oil changes. I am not a car at all! But sometimes I feel like one.

We should all be able to let our hair down at home, be who we are. It is very hard living somewhere else, under a different set of house rules, and surely everyone else to us seems more crazy than we are-there is that. Our normalcy- and it goes to who we really are, where we come from and all that. If we can laugh at it, have some good times, make some friends, take a joke, tell a joke. It’s all part of a topical patois that infects everyone. You can’t help looking around at everyone else, comparing yourselves…. She has had no one to nurture her, kiss her booboos, stretch her, nag her, and encourage her. There is jealousy at home and there, everywhere and she is tough. Support her, even minimally, and she does very well. Quite well. She has been doing it all herself and she is proving quite capable. She can’t be different, but hopefully she won’t read this yet and by the time she does, she will be. That is just the way it is, a little bit of this, of that, all goes into the melting pot, and out comes: “VOILA!” an independent person.

She came home a little lost, messy, tomboyish, rough on the edges and very tired (and sick), but she left like the queen! New coif, shoes, new boots, health and beauty supplies, shmancy leos, new point shoes and a proper wool coat. We broke the suitcase! So she had to take two of mine-and a new bookbag, so that weight can be distributed more evenly (in the future).  It seems the next step is to give her a little more control over her own schedule, life and priorities. Help her help herself even further. If only I had a volunteer-but no one takes the place of a mother, really.

She went back in good condition, feeling that the thorough rest to her muscles (completely) would put her in good stead once classes started back. People were truly disappointed she did not come to class. No doubt anxious to compare themselves to her. Yet, that is not a bad thing. She just would not be budged and then it was also the money. She needed things. Considering the abilities of all the other dancers she sees everyday, their experience with performance, the requirements of learning new technique, a new mode of thinking, new teachers, new expectations, especially of learning and performing contemporary ballet, partnering, new choreography, and a totally new environment all around, as well as the continued conditioning and strengthening to improve upon the particular attributes and physical qualities of a classical ballet dancer which she deeply aspires to have down pat, and which she does not see in herself (all of the time), she is doing pretty well, well enough to go back for another semester! I think that in itself is incredible! Back into the ring! It is my daughter I am speaking of and not someone else-I need to remember sometimes who she is after all and there is nothing to indicate she would be someone else even after four months. She is a trooper.She is a true fighter. Ahem.

So to round off the old year, I bring a new concept to my blog-the ballet haiku! More haiku should be written about ballet. I am going to get busy, but it is hard to write a meaningful haiku……

Once there was a baby

her arm was broken at birth

she has made progress!

Technically-this is correct haiku form, but prettier as

Once a baby angel fell from the sky

and in her fall her wing was broken

now she flies!

PAY ATTENTION – A Short Documentary on Vimeo


PAY ATTENTION – A Short Documentary on Vimeo on Vimeo

via PAY ATTENTION – A Short Documentary on Vimeo.

Two NYC Dance Landmarks Poised to Close from Dance Magazine


Amsterdam Ballet and New York Ballet Theatre on verge of closing, read on…

Dance Magazine – If it’s happening in the world of dance, it’s happening in Dance Magazine..

New York City Center’s Fall for Dance Festival’s Two Free Evenings of Dance| Sept. 16 & 17….


NYC Dance Stuff

10th Anniversary Season of New York City Center’s

 FALL FOR DANCE FESTIVAL

Kicks Off with

 FREE Dance in Central Park, September 16 & 17

 Hosted by The Public Theater

New York City Center will celebrate the  10th Anniversary of its Fall for Dance Festival with two FREE evenings of dance at the Delacorte Theater in Central Park,hosted by The Public Theater, on September 16 and 17 at 8 p.m.(rain date, September 18).

The FREE performances at The Public’s Delacorte Theater will feature four Festival alumni:

New York City Ballet (Red Angels, 1994)

Paul Taylor Dance Company (Esplanade, 1975)

Ronald K. Brown/Evidence (Upside Down, 1998)

STREB Extreme Action Company (Human Fountain, 2011)

(The same program will be performed on both nights.)

Free tickets will be distributed, two per person, at The Public’s Delacorte Theater on the day…

View original post 12 more words

If David Howard said it…


Reposted from The Dancer’s Toolkit http://centeredstage.com

…it must be true.

I am a strong advocate for dancers developing more internal feedback based on what they feel rather than what they see in the mirror. (In part because a lot of dancers use the mirror as a crutch or enemy, rather than a tool…) It was wonderful to see the same sentiments in print from the master teacher himself (from the New York Times obituary published on August 18, 2013):

““Out of the feeling comes the form…Ninety percent of the time students are taught the form first. And then they’re expected, through some act of God, to get the feeling.”

Mr. Howard’s pedagogy, unorthodox in its day, entailed a kinesthetic approach, in which dancers were taught to rely less on external feedback from the mirror and more on the minute internal signals that telegraph the position of the head, limbs and torso in space.”

In a culture that…

View original post 109 more words

A CONVERSATION WITH CINCINNATI BALLET’S KAPLAN NEW WORKS CHOREOGRAPHER JAMES KULDELKA


Reposted from Valinkat

Valinkat

The Man in BlackCincinnati Ballet dancers Thomas Caleb Roberts, Danielle Bausinger, & Patric Palkens in James Kudelka’s “The Man in Black.”

 Photo by Peter Mueller.

 Recently I asked choreographers on the same bill (the upcoming Cincinnati Ballet Kaplan New Works, opening next Thursday, 9/12/13, at the Mickey Jarson Kaplan Performance Studio) questions: where they got inspiration for their work, and how doing a piece with quick lead and rehearsal time for a small venue stretched their choreographic chops. I asked them about their style and their music, and how music drove their movement. The resulting article appeared August 21, 2013, in CityBeat’s “Fall Arts Preview”: http://www.citybeat.com/cincinnati/article-28412-cincinnati_ballet_rings_in_50.html

The one choreographer I was not able to speak with personally (James Kudelka) recently responded through his agent with answers to questions I emailed him, trying to replicate the things I asked Heather Britt, Jodi Gates, Gina Patterson and Val Caniparoli about their “new works.” By…

View original post 1,616 more words

I truly believe…


A man and a woman performing a modern dance.
A man and a woman performing a modern dance. (Photo credit: Wikipedia)

I truly believe all art should be free. My daughter got in the car today and said (in tears) that it wasn’t fair-her teacher constantly cancels her privates in order to take someone else ahead of her. She said, “It is like I am doing all this for nothing”-meaning variations. The fact is, I don’t know. She quickly made sure I knew she didn’t mean ‘ballet.’ Just privates.

If you have even one, it’s addictive, like you can be better faster, not ahead of everyone else, just better. Someone said, ‘ballet never gets easier, just possible.’ Ballet is an art which you venture into unaware that it will take the rest of your life to understand, study and hone-I did not say ‘perfect.’ You work in privates very hard. As there is more personal attention it is very intense, tiring and deflating in a way. Even though you are getting more corrections, there is only so much you can assimilate at one time. Hopefully, you get better each time (requires actual practice). But sometimes getting better is not being told to get better, but learning to get better or advancing/growing enough physically/mentally to be able to do something or understand it.

It seems it is all about getting better quickly, working out little issues, learning variations-it’s what they do in Russia, right? Wrong. I do not really know what they do in Russia because I am not Russian and I did not study ballet long enough to have more knowledge on the subject. I do feel that some Russians are expert teachers, but teaching, like learning, is also a growth thing, and a practical knowledge thing. With age comes maturity. One is trying to communicate, and one is trying to understand and do. At least in the classroom. There are many great American teachers of ballet. Though Russian technique, the Vagonova method, might be an older method book, and if followed precisely, may result in a certain ability to more easily work the body, I am not so sure the end result is any better than our own mature dancers in terms of freedom and expression.

I have not been completely stunned by Russian dancers of late-not since Lopatkina, and she, too, has her limits. They are all good dancers, but is their artistry better than their training? I look at it as a billion little cells and muscles and they can all be taught to do the basics in any method. But the brains are different. It tells those cells and muscles what to do, or sometimes, just naturally, someone’s cells and body parts just do things differently, uniquely. The x-factor. Not all the students with short backs and long legs, good feet, etc. are going to have that gift. Sometimes it is the awkward or ungainly bunny that has the staying power, drive, and determination to get ahead, and the x-factor. I believe you have to watch this person to see what they will do next. You don’t have a choice.

If you start weeding them out too early, assess them out based on body-type alone, or because they cannot focus all the time, you are putting art through a sieve and retaining what you think are the golden apples. That is not a natural selection process or an intelligent one, but it will get shows put on and tickets sold. The result may not be as amazing, but there will be leads. Shows must go on everywhere.  In the meantime, there is a certain kind of person who will wait patiently in the wings and try to be a better and better technician and artist each day. But as the athlete or dancer‘s career is very short by nature, this also requires more than a bit of good luck. And to be be very successful in dance, it requires parents and teachers who coach and nurture these children well beyond their own level of maturity or ability. If your child is not one of these “prodigies” then they do not really stand a chance in this type of environment, but it is up to the parent and the child, in this situation, to determine whether to stick it out, or move on to a better environment, or quit. People do all three.

From this, I am reminded that some people feel that a child, picked as among the best, for your better academies, should have what it takes to survive in class, to get better with everyone else. This is a heavy burden in itself. They should be given the chance to exert their personalities and express themselves in class-they need to do this with other similar students, easily done for the most part. In a given area there might not be enough children to choose  from to fill a class each year with boys and girls of a certain body type  and ability, I like to call mainstreaming. But that is why we have always had regional companies. Many dancers do not wish to go to a major city and become famous or try to be a big fish in a big pond. Some people just do not like to travel, particularly out of their own country, and do very well in a smaller company, and some even move up after a time. Sometimes it is enough to dance anywhere. Some of the best dancers are in these regional companies.

All of the other possible factors including ability and desire combine to ‘make-up’ for the lack of perfect body types to educate-and let’s not forget artistry. Was Pavlova smart? Smart enough. Not enough is made of these lesser known, dedicated and oftentimes very talented dancers and their voices are not called upon usually to give their advice to young dancers, but they should be, because they are the reality and their paths the likeliest one for most dancers. Dancers trained in the best schools are needed as teachers, more than as dancers. It’s a fact. Like a recipe for what will be instead of what could be.

Something must be said for superior training and it all comes down to the best teaching really, and not necessarily the best dancing or the most famous dancers. I think if most of us knew the preemptive, it might change our paths. From the best teachers frequently come the best dancers, but it is not like an egg. You can have great dancers and great teachers from different eggs (teachers). The Russian ideal was created over a long period of time, refined and perfected because the state paid for the education of those dancers. Lots of other pros and cons emanated from that system, too, and it is not something to idealize, necessarily. Certainly a great dancer can add instruction on the nuances of a role, but that does not make a dancer unique, for there would be no artistry if the student exactly followed the prescription of the teacher or the choreographer for the role. It is said a great dancer has a style all of their own, like a painter, or a musician, but as we know, there are schools of art, just like dance. When you see a Russian dancer, you know their school, by certain telltale signs. But a true artist is their own school-we like to think. I cannot help looking at the best dancer and thinking what kind of teacher she will make and whether that would suit her or her parents very well, because that is what is likely to become of all that training. My daughter wants to be a teacher, which is fine, because she can be well on her way before others get the notion. Perhaps that will slant her perspective at a time when it is important. Is that any less of a reason to be well trained. But, in knowing this, do I really need to worry so much?

However, ballet does not stop at the classroom anymore. With performances and events, like competitions, dance immediately goes beyond the classroom to the world, YouTube, major cities, and publications, competitions, the ballet world and beyond. People also claim that ballet is intuitive, a dancer listens to listen to his/her own body and from the outside it might appear as if one dancer is naturally more intuitive than another, even to a teacher, but children learn at different rates. An experienced dance teacher will tell you that you can never tell who will make it and who won’t-there are too many factors. But, if they did know, then there would be no purpose, and no money, from teaching everyone else at all. The parents should quickly ascertain that certain students get more of the attention, praise and are better than their own children at many things. But parents have indefatigable hope and belief in their own children to persevere and improve. If they knew they were competing to be teachers eventually, do you think they would fight so hard, pay so much?

They continue to pay for lessons, and this is frequently at the behest of their children, who improve enough and enjoy the classes and performance enough to still want to become ballet dancers against all the odds, bad bodies, and poor teaching (possibly). Some of them do become great, but the majority eventually quit, never even attending a dance college. I think that is a shame, for one profession is intrinsically as good as any other one. I never hear of many dancers in adult ballet class who were dancers and follow the same regimen they did as youngsters, as older adults. Funny. It is as though they are traumatized, forever, and severed from what they love, convinced that they are failures, rather than embracing what they know and love. So, it is important to think about why we dance in the first place, it is for fame, for glory, to be better than everyone else, or just because we love to. Because how can you have to do something everyday until you are 14-17, and then suddenly wake up and say, I no longer want to do that. I was unsuccessful. I will try something else. To give up what you love must denote some severe setback.

From my perspective there are two majors groups of dance supporters, besides teachers. They are both parents-those who danced as children who now or will or did have children with whom they will not make the same mistakes, or to whom they pass down the art and love of ballet, and there is the other major group of older teens and adults who comprise new learners and whom, without baggage and failure learn to love and dance. So dance is constantly recycled and we build new possibilities and breathe new life into the art form with our children, ourselves and our love or appreciation of ballet. But hopefully, we learn from all of our experiences, as the generations of Russians did, who do not all go on to be great performers, but also great teachers, choreographers, administrators, etc.

Therefore, it is for some a means of keeping in shape, for others a way of expressing themselves and growing, and for others a way of life that is being passed down to them at perhaps a too early age to decide, and in a very competitive and picky environment where many of the positives for a mature person are degraded for the child in an arena of extreme competition. Forget art, it is about survival of the fittest, literally. Money is a big part of that agenda now and not just in America!

By now, my regular readers know that I studied dance for a while, and I began late (as a teenager). But my mother and her mother also danced and had more natural proclivity for it than I did probably. My grandmother could not afford lessons, being one of 12 children. She used to wait for the girls outside dancing class, walk home with them and pick their brains. She taught herself everything this way-everything she knew. She copied what she saw. She sewed this way, did her hair, clothes and make-up this way, and she was very good at everything she did. If she had had a great teacher, there is no question in my mind that she would have been the best. They are necessary it seems. It is also important that as people we value dance and continue to strive at it and to increase the knowledge of it to be passed down. Why is it such a legacy that no other art form is intrinsic to ourselves? Shouldn’t we just sever the cursed limb?

Is dancing hereditary? Genetic?

Is dance h

Write an Opera Trailer 2012 – YouTube


Write an Opera Trailer 2012 – YouTube.

What Snapping Hip May Say About Your Dance Training | Dance Advantage


What Snapping Hip May Say About Your Dance Training | Dance Advantage.

 

Ballet-Dance Magazine – Suki Schorer on Balanchine Technique by Suki Schorer, Russell Lee, and Carol Rosegg – Book Review by Cecly Placenti


Ballet-Dance Magazine – Suki Schorer on Balanchine Technique by Suki Schorer, Russell Lee, and Carol Rosegg – Book Review by Cecly Placenti.