Tag Archives: new choreography

▶ The Kaplan New Works – Victoria Morgan


▶ The Kaplan New Works – Victoria Morgan – 1415 – YouTube.

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PAY ATTENTION – A Short Documentary on Vimeo


PAY ATTENTION – A Short Documentary on Vimeo on Vimeo

via PAY ATTENTION – A Short Documentary on Vimeo.

NYC Ballet Presents NEW BEGINNINGS – YouTube


NYC Ballet Presents NEW BEGINNINGS – YouTube.

New York City Center’s Fall for Dance Festival’s Two Free Evenings of Dance| Sept. 16 & 17….


NYC Dance Stuff

10th Anniversary Season of New York City Center’s

 FALL FOR DANCE FESTIVAL

Kicks Off with

 FREE Dance in Central Park, September 16 & 17

 Hosted by The Public Theater

New York City Center will celebrate the  10th Anniversary of its Fall for Dance Festival with two FREE evenings of dance at the Delacorte Theater in Central Park,hosted by The Public Theater, on September 16 and 17 at 8 p.m.(rain date, September 18).

The FREE performances at The Public’s Delacorte Theater will feature four Festival alumni:

New York City Ballet (Red Angels, 1994)

Paul Taylor Dance Company (Esplanade, 1975)

Ronald K. Brown/Evidence (Upside Down, 1998)

STREB Extreme Action Company (Human Fountain, 2011)

(The same program will be performed on both nights.)

Free tickets will be distributed, two per person, at The Public’s Delacorte Theater on the day…

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A CONVERSATION WITH CINCINNATI BALLET’S KAPLAN NEW WORKS CHOREOGRAPHER JAMES KULDELKA


Reposted from Valinkat

Valinkat

The Man in BlackCincinnati Ballet dancers Thomas Caleb Roberts, Danielle Bausinger, & Patric Palkens in James Kudelka’s “The Man in Black.”

 Photo by Peter Mueller.

 Recently I asked choreographers on the same bill (the upcoming Cincinnati Ballet Kaplan New Works, opening next Thursday, 9/12/13, at the Mickey Jarson Kaplan Performance Studio) questions: where they got inspiration for their work, and how doing a piece with quick lead and rehearsal time for a small venue stretched their choreographic chops. I asked them about their style and their music, and how music drove their movement. The resulting article appeared August 21, 2013, in CityBeat’s “Fall Arts Preview”: http://www.citybeat.com/cincinnati/article-28412-cincinnati_ballet_rings_in_50.html

The one choreographer I was not able to speak with personally (James Kudelka) recently responded through his agent with answers to questions I emailed him, trying to replicate the things I asked Heather Britt, Jodi Gates, Gina Patterson and Val Caniparoli about their “new works.” By…

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MISTY COPELAND SOLO – YouTube


MISTY COPELAND SOLO – YouTube.

ART – Five Sides Of Frederick Ashton – NYTimes.com


SIR FREDERICK ASHTON was one of the chief creators of the lyrical, reserved style of English ballet classicism. The Lincoln Center Festival’s unparalleled Ashton Celebration, which opens on Tuesday at the Metropolitan Opera House, will suggest his range, his passion for his medium and his abiding humanity.

Over two weeks, four companies will perform 12 works, both familiar and seldom seen, that span 31 years. One troupe is the Royal Ballet, which Ashton helped to create. Another, the K-Ballet Company from Japan, will make its North American debut. The Birmingham Royal Ballet and Joffrey Ballet of Chicago, who complete the quartet, have made it a mission to preserve and perform Ashton’s ballets.

Ashton, who died in 1988 at the age of 83, fell in love with ballet in his early teens when he saw a performance by Anna Pavlova, whose exotic presence impressed him. An even greater inspiration was Marius Petipa, the 19th-century architect of what we know today as classical ballet.

Ashton told stories in his ballets, with humor and an intense empathy for the most unlikely characters. He could distill dance to its luminous, serene essence or fill the stage with complex, grand design. Here is a guide to five ballets to be performed at the festival.

via ART – Five Sides Of Frederick Ashton – NYTimes.com.