Category Archives: Current

Continuing the Conversation


Ballet Portfolio gofundme 52916 Pierre Bonnard 1867 to 1947 The Converation at Arcachon

I haven’t posted in quite a while, call this being extremely busy! So much has happened this year in terms of personal responsibilities: moving back to New York, working for several months as Director of The New York Ballet Institute, re-starting ballet programs, commuting, working, personal goals, college preparation for all of my children, and just generally running, that I haven’t really had time to post at all, or the inclination. I didn’t forget about you, but at times I was just too exhausted to post and other times the well seemed dry.

I had hoped to start a school (really continue one this year) and a lot of work went into that project which was not recompensed, but that was a gamble, really, and though the signatures for the grant program were obtained through over three thousand hours of promotion, we did not get the grant in the end. The proprietors moved further upstate due to necessity and comfort, and my daughter sought training elsewhere. There will always be good training available, and I believe I brought a lot of attention to their expertise and historical importance, but after everything was said and done, they did not have the drive to pursue a full-time education program without substantial injections of cash into their school. I suppose it will go unused, and though they promised me the use of it, I really did not have the desire to proceed without them-what would be the point?

I do have a ballet and dance background, undergraduate degree, and teaching experience, but compared to theirs, my knowledge and abilities pale drastically; I would not wish to take over in areas where I have no such expert knowledge and acumen. I still believe they are two of the finest teachers I have ever met, and despite age and encumbrances are quite able to teach. They are quite dear to me, despite our having to basically call it quits. Oddly, I received an email this year that we were in the running again and had enough votes to qualify again-I ignored the email recently.

Quite a lot of schools have popped up over the past year and many of them are doing quite well: French, American, and Russian, in the city. Some are taking grand steps forward based on my promotion scheme and I am happy to see that this is working for them. It is important to speak up and self-promote; a lot of fine teachers go unrecognized because they do not have the foresight or gumption to do blatant self-promotion, but this is sometimes what is needed to get students.

After NYBI, I went right into another possible project with Ken Ludden of The Fonteyn Institute, and Ken is a very fine person and good friend. He really did not need assistance which I could provide, but he is developing the institute in his own design which has worked very well for him in the past. Sometimes, there is just not a resolve to achieve an end by two people, with both in charge in varying degrees, so I do not think there was a place for me there, as he had originally thought. We did attempt a couple of things together and now he is commencing new and exciting projects.

My daughter had her last year of high school this year and this took some very arduous work to overcome all the obstacles and to achieve her graduation and continue ballet, which she has done, but not without a feeling that the year was not as progressive as she had hoped. But, she did do some remarkable work, and has made some friends, and met some teachers, whom she will probably retain as lifelong friends. She learned alot, and a new passion is the French style of ballet, a yearning for international travel, and the desire to obtain a four-year degree as well, so I cannot fault her verve or gradual maturity. I am sure she is going to make a great lady one day, and no one could ave a fairer view of the word, I think. I am extremely proud of her and hope that she will be able to continue dancing for as long as it moves her. She has a current campaign for study abroad here Education Campaign: Dance in France  I hope you will check it out and consider contributing to her dreams!

After a long year of working, my sons have returned to college, determined to succeed, so in all, I couldn’t be happier at the outcome, even though the going was, at times, pretty rough this year. We survived and have plans for the future all around. I hope your ballet and dance studies have continued, that you have made contributions of relevance to you, and that your work is motivating and inspirational. Above all, I hope you Keep on Dancing!

Wonderful holiday renditions of The Nutcracker-some are still playing or will play after the 25th!


http://www.topix.com/arts/ballet/2015/12/nutcracker-duet-gives-young-ballet-dancers-a-chance-to-shine

 

http://www.newson6.com/story/30810106/the-joffrey-ballets-the-nutcracker-wins-goldstar-prizeThe Associated Press

http://www.nycballet.com/Ballets/N/George-Balanchines-The-Nutcracker.aspx

 

http://www.nutcracker.com/buy-tickets

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https://www.washingtonballet.org/performances/2015-2016

The Nutcracker with Esmiana Jani

 

http://www.pbt.org/nutcracker

 

http://www.atlantaballet.com/

 

http://coloradoballet.org/performances/the-nutcracker

 

These are just a few of the many American events of the great Nutcracker which is performed in December and January across the United States-find one near you!  http://bit.ly/1PnUYIp

Natalia Osipova and Steven McRea in Giselle (Bolshoi Theatre)


Some of what I am missing tonight because I am a broke writer, ballet mom and striving artist….:( But like they say-imagination is a monster!

The Spirits of a Summer Day-new ballet!


(1) The Spirits of a Summer Day.

Ballet Ariel’s world premiere of “Vincent Van Gogh” ballet – Catch It!


Ballet Ariel’s world premiere of “Vincent Van Gogh”

Ballet Ariel’s world premiere of ‘Vincent Van Gogh’ opens on Saturday, May 2nd at 7:30 pm and Sunday, May 3rd at 2:00 pm at the Lakewood Cultural Center.  This dramatic ballet explores the turmoil and tragedy that marked the career of the genius artist Vincent Van Gogh. His unfulfilled love life and passionate follies are danced in a series of emotional duets. The tender and supportive relationship with his brother Theo is thoughtfully portrayed in the ballet. The tension in the ballet builds, while living together with Paul Gaugain in the south of France, he has his first episode of madness and self-mutilation. Choreographed by Ballet Ariel’s Director Ilena Norton, the ballet is danced to beautiful, original music by Israeli composer Irena Scalerica. Also on the program are excerpts from the gorgeous wedding scene in Act 3 of the classical ballet ‘Raymonda’, and the exciting, contemporary latin dance ‘Incantacion’ by former Colorado Ballet principal Gregory Gonzales. Ticket prices for the performance start at $20 and can be purchased at www.Lakewood.org/Tickets, 303-987-7845 or at the Lakewood Cultural Center Box Office, 470 S. Allison Parkway.

http://balletariel.org/wp-content/themes/coral/timthumb.php?src=http://balletariel.org/wp-content/uploads/2012/09/VincentVanGogh.jpg&h=510&w=480&zc=1&q=72

Irena Scalerica is a graduate of the Saint-Petersburg Conservatory and has won awards in the John Lennon international composer competition in 2001 and 2003. She has composed music for Vladimir Alenikov’s film the Princess War in 2013, which won 12 international film awards, and for Nariman Turebaev’s film Adventure in 2014. She has written music for three ballets, Van Gogh, Silver Goose, and Kambar Batyr. Her ballets combine classical and contemporary styles to create a complex and emotional expression of the story. This is the first time her ballet Van Gogh has been choreographed and presented by a ballet

via Ballet Ariel’s world premiere of “Vincent Van Gogh” ballet | YourHub.

Blog for GoFundMe Donators



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Blog for GoFundMe Donators.

Review: Alonzo King Lines Ballet at the Joyce Theater – NYTimes.com


Review: Alonzo King Lines Ballet at the Joyce Theater – NYTimes.com.

Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89 – NYTimes.com


Maya Plisetskaya, Ballerina Who Embodied Bolshoi, Dies at 89 – NYTimes.com.

​Legend Maya Plisetskaya died today…no words.


​Legendary Bolshoi ballerina Maya Plisetskaya dies at 89 — RT News

​Legendary Bolshoi ballerina Maya Plisetskaya dies at 89 — RT News.

Happy Birthday Shakespeare-The murder of Desdemona, from Orson Welles’ Othello


via The murder of Desdemona, from Orson Welles’ Othello – YouTube.

Arts Education Appeal by Aingeal Packes – GoFundMe



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cropped-2012122712511534.jpgArts Education Appeal by Aingeal Packes – GoFundMe.

She has raised a whole $20 and she is very excited it is underway! I know it does not sound like much but any donation is inspiring and considerate and appreciated!

She started her classes this weekend, although we have met with her teachers very often. She and they are very thrilled to begin work. She is a very hard worker and has already obtained a part-time job in the evenings.

Already she is learning that there are very strong difference in the technique and artistic styles and her teachers are very old school. I will leave those wide differences and contrasts to her to explain in her updates to her Appeal. If you should choose to subscribe or to donate, she will keep you posted!

On the other hand, of you donate to this blog (or both), I will put your investment to good use as as well. Currently, I’m planning to begin a ballet school in New York for underprivileged children. They will only pay what they can afford, if anything, for correct ballet training. If anyone is interested in assisting with this, please contact me directly.

As usual, if you want to read up on the Differences of Movement, check out my book on my blog under differencesofmovement.wordpress.com

Thank you and Keep On Dancing!

“Wild in Art” | Flashmob with Vladimir Malakhov | Xenia Wiest


 

“Wild in Art” | Flashmob with Vladimir Malakhov | Xenia Wiest from Xenia Wiest on Vimeo.

via “Wild in Art” | Flashmob with Vladimir Malakhov | Xenia Wiest on Vimeo.

Introducing a New More Refined Dynamic: The Boston Ballet!


Boston Ballet Overview – YouTube.

Let The Body Go – Expression of Grief


 

Let The Body Go – YouTube.

Ballet San Jose Needs Donations by March 14 Deadline!


José Manuel Carreño adjusts Ommi Pipit-Suksun in company class. Photo by Alejandro Gomez

Ballet San Jose Needs $550,000 To Stay Afloat

Posted by Kristin Schwab on Friday, Mar 06, 2015 (reposted from Dance Magazine)

Ballet San Jose announced this week that it must raise $550,000 by March 14 to keep its doors open.

The company has a troubled past when it comes to leadership and funding. For instance, it sought out loans to help cover what critics more or less dubbed as over-ambitious seasons during the final decade of artistic director Dennis Nahat’s leadership. In 2013, former American Ballet Theatre dancer José Manuel Carreño was appointed AD. As we reported in our January 2014 feature, during his first season, the company’s prospects were looking up. Though Carreño had little to no experience running a company, his fame helped donations rise during the 2012–13 season and Ballet San Jose nearly broke even, compared to a $1 million operating loss in the previous year.

In a press release, BSJ said that if it is open come September 2015, the company will rebrand itself as Silicon Valley Ballet—a move to more closely identify itself with the neighboring tech community.

Visit the donation page here

via Dance Magazine – If it’s happening in the world of dance, it’s happening in Dance Magazine..