Category Archives: Ballet Schools

Children’s Hospital Hosts Annual Holiday Ballet


Children’s Hospital Hosts Annual Holiday Ballet

Students, pediatric patients enjoy ‘Nutcracker’ ballet in Washington Heights

By Catherine Yang, Epoch Times | December 22, 2014 | Last Updated: December 22, 2014 10:27 pm

NEW YORK—”Dance of the Sugar Plum Fairy” echoed through the lobby of the NewYork-Presbyterian Morgan Stanley Children’s Hospital and 4-year-old Madeline sat up and clapped, engrossed in the ballet before her.

“When she was here two years ago, she was upstairs in her room, quarantined,” said Madeline’s mother Jenna Kellerman. Kellerman had come downstairs for a cup of coffee, and caught a glimpse of the New York Theatre Ballet’s (NYTB) annual performance at the hospital, but had to rush back upstairs.

“She likes it when they’re on their toes and spin around,” Kellerman said of her daughter, and Madeline mimicked pirouettes with her fingers. Christmas means baking cookies, watching holiday movies, and “The Nutcracker” on television, but she has never seen it live. “Every time they had the performance she was sick upstairs.”

Madeline was born at the hospital and had open-heart surgery at 1-week-old, a second surgery when she was 6 months old, and a third when she was 2 1/2, for the same heart condition.

This year, Kellerman came to the hospital to visit a friend with a child in the intensive care unit, and Madeline came along for the performance.

Mice in polka dots and dancers with oversized chopsticks performed the holiday favorite, choreographed by Keith Michael in the art nouveau style, circa 1907. Costumes were designed by Sylvia Nolan, the resident costume designer of the Metropolitan Opera.

“I wanted her to see the show she actually missed,” Kellerman said.

Dancers of the New York Theatre Ballet performed “The Nutcracker” at the New York-Presbyterian Morgan Stanley Children’s Hospital on Monday, Dec. 22, 2014. For the last eight years, NYTB has performed a one-hour holiday ballet for the pediatric patients. (Benjamin Chasteen/Epoch Times)

Mental Healing

For the last eight years, NYTB has performed a one-hour holiday ballet for the pediatric patients and, more recently, grade students of the nearby PS 4. They have performed “Carnival of the Animals,” “Sleeping Beauty,” and “The Nutcracker” in previous years.

“The families and patients definitely look forward to it every year … it’s always nice to be able to bring the arts to our patients,” said Juan Mejia, vice president of operations at NewYork-Presbyterian Morgan Stanley Children’s Hospital. Many of the pediatric patients are at the hospital for extended stay, which means long hours and long days, Mejia said. “It’s nice for them to have a break from being on the floors.”

“There’s a lot to say about the mental healing of patients,” Mejia said. “The ability for them to have a break from the day allows them to really heal mentally.”

Dancers of the New York Theatre Ballet performed “The Nutcracker” at the New York-Presbyterian Morgan Stanley Children’s Hospital on Monday, Dec. 22, 2014. For the last eight years, NYTB has performed a one-hour holiday ballet for the pediatric patients. (Benjamin Chasteen/Epoch Times)

Giving Back

These sorts of intimate performances are the cores of NYTB’s mission, according to founder Diana Byer. NYTB performs in smaller venues, across the world, and “the theatrical experience is quite personal.”

“We can see gesture,” Byer said. Rather than seeing the overall picture from a great distance, “you’re seeing detail. It’s a personal, very intimate experience. It’s how an individual experiences it.”

This version of “The Nutcracker” was refreshed four years ago, from the version NYTB had performed for 26 years. After months of choreography, the ballet was adapted for today’s changing culture.

“It’s designed to appeal to today’s child. It’s in the narrative, the pacing, the costuming, the color,” Byer said.

In addition to small classic masterpieces and one-hour ballets for young children, Byer tries to unearth lost ballets—pieces by great choreographers that have not been performed for many years. “It’s part of our culture and should be seen,” Byer said.

To her, “Art is about generosity of spirit,” Byer said. And performing at the children’s hospital teaches the dancers that. “I think it’s good for the dancers to give back … that’s what art is. It’s something for the public.”

Margery (C), a patient at the New York-Presbyterian Morgan Stanley Children’s Hospital, poses with dancers of the New York Theatre Ballet after the troupe performed “The Nutcracker” for the children at the hospital on Monday, Dec. 22, 2014. For the last eight years, NYTB has performed a one-hour holiday ballet for the pediatric patients. (Benjamin Chasteen/Epoch Times)

Article printed from The Epoch Times: http://www.theepochtimes.com

URL to article: http://www.theepochtimes.com/n3/1158119-childrens-hospital-hosts-annual-holiday-ballet/

via Children’s Hospital Hosts Annual Holiday Ballet.

Q&A with Patrick Armand 2014|Indiana City Ballet


Q&A with Patrick Armand 2014 from Indianapolisperforming arts

City Ballet on Vimeo.

via Q&A with Patrick Armand 2014 on Vimeo.

South Coast Ballet Conservatory, The Nutcracker: December 20-21st, 2014


The Nutcracker Cap Perf Arts Cntr

‘Nutcracker’ Moves to Milder Climes


‘Nutcracker’ Moves to Milder Climes

By BRIAN SCHAEFER  DEC. 12, 2014

In the last scene of the first act of American Ballet Theater’s “The Nutcracker,” choreographed by Alexei Ratmansky, a gentle snow suddenly turns into a blizzard, a thrilling dark detour in this acclaimed production. But after last year’s harsh winter, Ballet Theater has had enough. Or perhaps after five years, it has been unable to find a real toehold in this city’s crowded Nutcracker marketplace. Either way, the company is off to Southern California: Beginning next year, Ballet Theater’s “The Nutcracker” will become an annual tradition at the Segerstrom Center for the Arts in Costa Mesa. Which means this is your last chance to see Mr. Ratmansky’s astute interpretation of the holiday classic in New York. All the ingredients are there: the opening party, the Christmas tree on steroids, a world tour of cultural stereotypes. But the great adventure at the heart of this version is the journey from adolescence to adulthood, dramatized with touching innocence and wonder. (Through Dec. 21, Brooklyn Academy of Music, 30 Lafayette Avenue, at Ashland Place, Fort Greene; 718-636-4100, bam.org.)

via ‘Nutcracker’ Moves to Milder Climes – NYTimes.com.

Feature Film, ‘Getting to the Nutcracker’, Illuminates Process of Production of Annual Event


getting_to_the_nutcracker_poster

‘Getting to the Nutcracker’ on screen in Jamestown

Published: December 02, 2014 01:00 AM

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“Getting to the Nutcracker” is a feature-length, behind-the-scenes documentary focusing on a ballet school preparing for their production.

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Film meets ballet in a holiday offering from Flickers and the Rhode Island International Film Festival Thursday at 7 p.m.

The ballet is the Christmas classic “The Nutcracker,” and the film, Serene Meshel-Dillman’s “Getting to the Nutcracker.” The feature-length, behind-the-scenes documentary focuses on the Marat Daukayev School of Ballet in Los Angeles from auditions to rehearsal with the young dancers (boys and girls ages 3 to 18) and their families profiled.

Celebrate the season with this family holiday treat at the Jamestown Arts Center, 18 Valley St. Tickets are $10, $7 for kids up to age 12. (Special group rates are available by calling the Festival office in advance of the screening.) Additionally, all attendees will be entered in a free drawing for a full Festival pass worth $350. Online ticketing: http://www.RIFilmFest.org or call (401) 861-4445.

Lynne Chaput

via ‘Getting to the Nutcracker’ on screen in Jamestown | Entertainment – Music, Theater, TV & more | Providence Journal.

▶ Anna Pavlova – ‘Invitation to the Dance’ aka ‘Invitation to the Valse’ – YouTube


▶ Anna Pavlova – ‘Invitation to the Dance’ aka ‘Invitation to the Valse’ – YouTube.

▶ The Lark Ballet_LBC_Purdue Philharmonic – YouTube


 

▶ The Lark Ballet_LBC_Purdue Philharmonic – YouTube.

Ballet Photo of the Year!!!! Anna Tikhomirova and Artem Ovcharenko


Photographer: Maria Tikhomirova

Anna Tikhomirova and Artem Ovcharenko.

Laguna Beach, CA 2014 ❤

 

Anna Tikhomirova and Artem Ovcharenko. Laguna Beach, CA, 2014. Photographer: Maria Tikhomirova
Anna Tikhomirova and Artem Ovcharenko. Laguna Beach, CA, 2014. Photographer: Maria Tikhomirova

Toledo Ballet – The Longest, Annual, Continually-running Nutcracker in the U.S.


WGTE Public Media: Toledo Ballet – Founding, History & the Nutcracker.

▶ The Nutcracker-Behind the Scenes (w. the CIncinnati Ballet), 1974


Love this video!

▶ The Nutcracker: A Fantasy in the Making – YouTube.

Another Late Starter Recognized for Hard Work Ethic and Unpretentiousness!


Late starter leaps into elite ballet school

dayna booth

 

A 15-year-old ballet dancer is the latest success story to come out of a small coastal dance school. Dayna Booth is ready to take on the next level of the art and will move to her new “second home” 2,000 kilometres away – the Australian Ballet School.

Dayna and her mum shed tears of joy when they received news the teenager had been accepted into the prestigious school.

She had dreamt of studying at the Australian Ballet School and had only recently asked the powers-that-be if they had room for someone of her talent and dedication.

The final word came in the mail a few weeks ago.

“My mum got [the letter] and half opened it because she was just so excited, but then realised it was for me,” Dayna said.

“I only read the first sentence and that was enough to know.

“My mum and I were crying.”

Dayna will move from Peregian Springs on the Sunshine Coast to Melbourne in 2015 and study in the school’s level five full-time ballet program.

The Australian Ballet School is Australia’s national centre for elite vocational dance training.

It is recognised internationally with over 90 per cent of its graduates gaining professional contracts at home and abroad.

Dayna is one of 700 dancers who applied for entry this year and will share her class with only 17 other successful level five students.

No short cuts

She says she is working hard in preparation.

“Right now I am doing 30 hours-a-week,” she said.

“I’ve mainly done 24 hours [but] it’s just in the last couple of months I’ve been doing 30 because I need to prepare myself for the big school.”

Dayna says her spins in particular are getting better with the increased training.

“There are these things called a fouette- it’s where you do multiple spins while flinging your leg around,” she said.

“I used to be able to do a single one but now I can do a single, a single and a double.

“I do get quite dizzy.”

Dayna says while her feet suffer from the hours of training they are getting stronger.

“I’ve got lots of blisters and right now I have half a bruised toe and half of [the nail] is coming off – it’s all part of the glory,” she said.

Masterful mentors

Dayna says her Peregian Springs teachers, Deborah Preece-Brocksom and Richard Leader, who were long time professional dancers in Europe, have been invaluable in her success.

“I can’t thank them enough, they’ve done so much for me,” she said.

“There’s been no other influence apart from YouTube.

“Mr Leader’s great at artistry and Ms Deborah is the master of technique [and she] is always kind and nurturing.”

Ms Preece-Brocksom says Dayna, who started ballet at the relatively late age of 10, has qualities beyond her physical skills.

“She’s very unpretentious,” she said.

“She’s got the hard work ethic.

“That’s what you look for in a child and if you find that, the level of talent is almost inconsequential.”

Ms Preece-Brocksom says the Australian Ballet School will be more competitive than what Dayna is used to, but her work ethic will see her succeed.

“[Ballet is] her hobby, her life, it’s her best friend,” she said.

“I think she will enjoy the challenge and they will enjoy having her down there.”

Late starter leaps into elite ballet school – ABC Sunshine & Cooloola Coasts Qld – Australian Broadcasting Corporation.

Ireland for The Nutcracker Anyone? Monica Loughman Ballet tickets at Living Social.com, Dec 20 or 21


Do a vacation package-Ireland’s easy to book in the Winter

Monica Loughman Ballet Nutcracker

Marat Daukayev Nutcracker Luckman FIne Arts Complex, Dec 6,7,13, 14 (Gala)-Ticketmaster


Marat Dakayev Nutcrackerhttp://www.ticketmaster.com/Luckman-Fine-Arts-Complex-tickets-Los-Angeles/venue/90209

Casting: San Francisco Ballet


Casting: San Francisco Ballet. The Nutcracker-all nights….

Celebrate ‘The Nutcracker’ Tradition in Indianapolis!


Posted: Thursday, December 4, 2014 11:23 am

By VICTORIA DAVIS/Reposted by Mysylph

Now that stomachs are full, Black Friday shopping has ended and thousands of pounds of turkey have been sold, it’s the time of year to truly appreciate our loved ones through rich traditions. Maybe your family cherishes the moment the star is placed on the peak of the family Christmas tree, or enjoys visiting holiday shows such as “The Nutcracker.”

The Indiana Ballet Conservatory (IBC) will be putting on six shows of “The Nutcracker” at two different venues, the Murat Theatre at Old National Centre and at the Indianapolis Museum of Art’s “The Toby.”

Miko Fogarty, who plays Princess Masha (Clara) and Sugar Plum said she began rehearsing for this season’s Nutcracker about a month ago.

“Each ballet is different in terms of the storyline and characters,” said Fogarty. “Dancers feed off the energy in the audience. When you ‘feel’ the audience reacting to your performance, you can’t help but rise to the occasion. That type of collaboration is exhilarating.”

Since Fogarty has been playing these two roles for the past five years, she finds many similarities in her characters and herself as a ballerina.

“Masha is a young girl who opens her heart to an ugly nutcracker doll. Her kindness and love help to transform the doll – and herself – into the prince and princess,” said Fogarty. “They go on a spectacular journey and awake the next morning to wonder if it was magic or a dream. Really, the life of a dancer is similar.”

She continues, “For those of us who are pursuing ballet as a career, we recognize this gift is not something to keep to ourselves, but to share with an audience. When we give our all on the stage and embody the character, the audience gets taken on a journey of their own. It is our goal to ensure that each person leaves the theater feeling something special and is transformed in some way.”

While there are a variety of “The Nutcracker” productions happening around the city, Alyona Yakovleva-Randall, founding artistic director, master teacher, and coach at IBC mentioned that this production’s version is closest to the original staging from nearly 100 years ago where it debuted in Russia.

“Even the names of our characters are true to the original storyline, Masha (Marie) instead of Clara. Even the backdrops, which were commissioned to be painted, match the original sets,” noted Yakovleva-Randall.

IBC’s Camel studios are bustling with over 170 dancers ranging from 3 years old to adults, countless production staff and volunteers during this time of year. Practice for “The Nutcracker” and other productions can begin early in the morning until 9 p.m. daily. In addition to Fogarty, acclaimed principal dancer with the Boston Ballet, Lasha Khozashvili is also one of the main characters in the show. Yakovleva-Randall said it’s a pleasure working with all of the dancers.

“It’s always satisfying to see our older dancers work together as a team to encourage and support each other,” she commented. “One simply cannot put on a production of this magnitude without harmony between the dancers. What always brings the biggest smile to my heart is when the older students reach out to the younger ones and help them learn their parts. Seeing the pre-professional students passing down what they’ve learned to the next generation of young dancers is truly satisfying. My entire life’s work is passing down the legacy of ballet down to the next generation.”

Indiana Ballet Conservatory’s ‘The Nutcracker’

The Murat Theatre at Old National Centre

Dec. 6 at 2 p.m. and 7 p.m.

(Limited seats available for Nutcracker Tea, noon – 1:30 p.m., and VIP, 5 p.m. – 6:30 p.m.)

Indianapolis Museum of Art’s “The Toby”

Dec. 12 at 7 p.m.

Dec. 13 at 2 p.m. and 7 p.m.

Dec. 14 at 2 p.m.

Tickets are available at IndianaBalletConservatory.org.

Facts about ‘The Nutcracker’

Began as the published work “The Nutcracker and the Mouse King” in 1816

First production performed Dec. 1892 in St. Petersburg, Russia

Peter Ilyitch Tschaikovsky composed the music for the ballet “The Nutcracker”

The first U.S. performance was in 1944 by the San Francisco Ballet

The New York City Ballet first performed George Balanchine’s “Nutcracker”® in 1954, which then became a popular holiday tradition

via Celebrate ‘The Nutcracker’ Tradition – Indianapolis Recorder Newspaper: Around Town.